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That succinct paragraph opens Laughter in the Dark before Vladimir Nabokov dutifully unfolds the spiraling downward fall of middle-aged art critic Albert Albinus and his gripping obsession with the 16-year-old Margot Peters. The novel was first published in Russian in 1932 under the far more captivating title Camera Obscura, and twenty-three years later Nabokov would tackle a similar theme of an older man with a young girl in the groundbreaking Lolita. But, whereas the famed nymphet of the 1950s gains a certain amount of pity for her situation, Margot comes across for what she is: a spoiled, conniving, and ultimately quite cruel femme fatale.
Read the rest of my article at Criminal Element.