Nik Morton's Continuity

Nik Morton talking about BEAT to a PULP's next release Continuity Girl can be found here.

From Westlake with Love

Once again, I'm talking 007:

The James Bond I prefer, the “real” James Bond, is the one that exists outside of the bloated, by-the-numbers films. The highly profitable franchise produced few faithful adaptations, the genuine articles being Dr. No (1962), From Russia with Love (1963), the loyal-in-gritty-spirit For Your Eyes Only(1981), and Casino Royale (2006). Otherwise, cinema JB is a cartoonish, pale comparison to the Bond that I highlighted in “The Gadgetless and Tired Assassin.”

That’s the 007 who has the feel of a tired public servant who's one martini away from turning his gun on himself or drinking himself into an oblivion. Not a handsome man—he has a visible scar on his face—but undeniably charismatic. He’s particularly ruthless, as in “The Hildebrand Rarity” (1960) where he covers up a murder by dumping a body overboard. There’s no bullshitting that the secret agent has a license to kill, and he takes the opportunity to use it if need be.

For the rest, click here to read From Westlake with Love: Exploring Donald Westlake's Lost Bond Novel, Forever and a Death.

Dean at 100

I take a look at Dean Martin's Westerns on what would have been his 100th birthday.

Song of Susannah Part II

The Dark Tower: Song of Susannah is zipping right along and I certainly appreciate all of you clicking over and upping the web traffic. Keeps me gainfully employed.

The Most Interesting Man in the World

I enjoyed this human interest article on The Most Interesting Man in the World. You may remember he was the spokesman for Dos Equis beer for a number of years. Sample:

During the course of his career, he worked with Burt Lancaster and John Wayne, Shelley Winters and Joan Fontaine; caroused with playwrights Tennessee Williams and Arthur Miller; crossed egos with Dustin Hoffman; painted houses with Nicholas Colasanto (the guy who played Coach on Cheers); slept with a bevy of starlets, including Tina Louise, who played the hot marooned actress on Gilligan’s Island, and “six vegetarians, nine Buddhists, 18 nurses, six teachers, countless receptionists and one runner-up to Miss Florida.”

And full article here.

Across the Rio Grande

I feel AMERICAN GODS is blowing it. The Coming to America segments have been my personal favorites thus far in the first season of GODS, so much so that they often steal the show. But what a disappointment this week’s opening turned out to be.

Maybe it was the slow-mo action scene that lacked any palpable tension as a group of immigrants crossed the Rio Grande. Beforehand, there was a bit of praying, a quick shot of hand holding, and some grave instructions but little else. When one man who can’t swim begins to drown, Jesus is already there to lift him up, and then we see Christ walk across the water.

Rest of my takedown at Criminal Element.

Magic!

I've always enjoyed magic and use to practice quite a bit so I understood the beginning of this magicians act... and then he blows me away with the rest. Incredible.