It is always nice when a reader takes the time to leave a thoughtful assessment on something you have written and a bigger reward when that reader is someone you greatly admire. In this case, Wayne D. Dundee has reviewed my Torn and Frayed novella on Amazon. Thanks, Wayne!
Tuesday, August 23, 2016
Friday, August 19, 2016
I’ve always thought two of the more intriguing protagonists finding themselves in a world of mierda were from the 1966 stage production of Wait Until Dark (later adapted into the Audrey Hepburn film), featuring a blind woman going up against three men who have invaded her home, and Jonathan Nolan’s 2001 short story “Memento Mori” (also made into a movie—Hollywood knows a good thing), where a man with backwards amnesia continually tattoos himself to remember imperative details related to his wife’s murder. Both of these individuals persevered without the benefit of certain functions that most of us take for granted. In Face Blind, Lance Hawvermale should have Hollywood warming up their keyboards because he has tapped into a different, brilliant deprivation plot device: prosopagnosia.
That is the start of my review for Lance Hawvermale's FACE BLIND. Please follow the link here for the rest of my review. Comments are always welcomed... and make my boss super duper extra happy.
Tuesday, August 16, 2016
Beginning September 6, I’ll be doing a reread of Stephen King’s THE DARK TOWER I: THE GUNSLINGER (first published in 1982, significantly revised in 2003) for Macmillan’s Criminal Element blog. This will a be a chapter a week review (every Tuesday) and it’s a whole lot more fun if I can get some other readers involved—if you don’t have a copy I’m sure most libraries carry one. I will do a write-up of each chapter and in the comments, hopefully, you can add to my piece with your own thoughts.
There’s a 2017 film on the way starring Idris Elba as Roland/The Gunslinger and Matthew McConaughey as the Man in Black who Roland pursues. So the reread is a good way to get on board and re-familiarize yourself with the story.