Showing posts with label painting. Show all posts
Showing posts with label painting. Show all posts

Saturday, October 31, 2020

The Nightmare (1781) by Henry Fuseli


A 1781 oil painting by Henry Fuseli (1741-1825) influenced many writers like William Blake, Mary Shelley, and Edgar Allan Poe whose narrator in "The Fall of the House of Usher" (1839) says, 
An irrepressible tremour gradually pervaded my frame; and, at length, there sat upon my very heart an incubus of utterly causeless alarm. Shaking this off with a gasp and a struggle, I uplifted myself upon the pillows, and, peering earnestly within the intense darkness of the chamber, hearkened --I know not why, except that an instinctive spirit prompted me --to certain low and indefinite sounds which came, through the pauses of the storm, at long intervals, I knew not whence. Overpowered by an intense sentiment of horror, unaccountable yet unendurable, I threw on my clothes with haste (for I felt that I should sleep no more during the night), and endeavoured to arouse myself from the pitiable condition into which I had fallen, by pacing rapidly to and fro through the apartment.
According to Wikipedia, "Poe and Fuseli shared an interest in the subconscious; Fuseli is often quoted as saying, 'One of the most unexplored regions of art are dreams.'"

Sunday, October 18, 2020

Wanderer above the Sea of Fog

“Wanderer above the Sea of Fog" (c. 1818) by Caspar David Friedrich. One of my favorite oil paintings. From Wikipedia: “He looks down on an almost impenetrable sea of fog in the midst of a rocky landscape - a metaphor for life as an ominous journey into the unknown.” This iconic image is one of the inspirations for the latest series of poems that I’ve written, that will be appearing at the Close to The Bone webzine October 31st.

Tuesday, November 11, 2014

The Roots of Creativity

After a long day of work, I've come to enjoy painting with my three-year-old daughter. It's a relaxing pastime that we both enjoy and I marvel at her progress over the last year. Quite often she paints houses with her family in them with the sun in the sky. And she always signs her paintings, sometimes with a heart next to her signature.

Meanwhile I usually create a standard-looking tree and grass with the occasional bird flying past. She liked watching me paint my various trees and decided to make this very artistic-looking tree of her own. I love the fact she went in her own inspired direction.