Showing posts with label film. Show all posts
Showing posts with label film. Show all posts

Saturday, April 9, 2016

Star Wars: The Force Awakens

It took me four months to watch the biggest film of 2015—Star Wars: The Force Awakens—and here are a few haphazard thoughts from my first, late-to-the-game viewing last night:

What a strong actor Daisy Ridley (Rey) is in every scene. All the youngers are marvelous but this lady has serious acting chops—looking forward to watching her in material beyond a space opera. And for the returning veterans: Great to see Han Solo (Harrison Ford) and Chewie (Peter Mayhew) though Carrie Fisher seemed stiff as Leia—uncomfortably so. And, hey, Luke Skywalker (Mark Hamill), Han sure could have used you a little sooner. (I’m sure that will all be explained in further detail but talk about sitting this one out, right?) That being acknowledged when we do see the last of the Jedi’s, this fanboy, was seven-years-old again, it was 1977, in Dryden, New York, and I was watching the original with my mom and dad at a drive-in. The Force Awakens is what ‘going to the movies’ is all about.

Minor nitpicks: Believe this point has been voiced in numerous fandom circles: found it amusing that Luke, Han Solo, etc., are myths after only thirty odd years. But, who knows, sands through the hourglass may move faster this galaxy far, far away. And I would have liked to have seen more of Chewbacca in a couple of key scenes.

When talent, writing, and direction is packaged fresh, it’s almost eye-opening and awe-inspiring how a plot that has so many borrowed elements from Star Wars: A New Hope can seem born again. J.J. Abrams deserves a ton of credit for paying homage and also providing a fresh direction.

Star Wars: The Force Awakens is a whole lot of fun that I recommend to everyone … especially us old scruffy-looking nerf herders.

Wednesday, November 5, 2014

Adventures, Spies, Gangsters, and Thrillers

The public image of Richard Burton (1925-1984), for better or for worse, will forever be intertwined with Elizabeth Taylor (who he married twice) and for a lifetime struggle with alcohol. But at his Hollywood start, Burton established himself as a top Shakespearean actor on par with Laurence Olivier and John Gielgud. Poor film choices—a number of them with Taylor—helped dilute that prestige during his lifetime. Looking back now, thirty years after his passing, there are more triumphs: HamletBecketWho’s Afraid of Virginia Woolf?, 1984, etc. than failures like the bottom of the barrel, The Klansman (1974).
Here are four films (two hits, two lesser-known efforts) that show the versatile range of a man who once with self-deprecating humor mused, “The Welsh are all actors. It’s only the bad ones who become professional.”
Please read the rest of my article over at Criminal Element.

Monday, April 14, 2014

Pierce Brosnan’s Ventures West

I'm really enjoying the heck out of writing articles on various Western books and films over at Criminal Element. I may even take a shot at some noir titles in the near future. My latest (writing as Edward A. Grainger) is called Pierce Brosnan’s Ventures West: Grey Owl and Seraphim Falls. C'mon and stop by when you get a moment.

Saturday, April 5, 2014

A Wild West Primer

I'm at Criminal Element (writing as Edward A. Grainger) with an article titled From Henry Fonda to Jeff Bridges: A Wild West Primer. I've come up with a list that represents something better than the preconceived notion of the dusty, old genre. You know, a primer of sorts for beginners, or hardened vets. Of course, I'd like you to drop a few of your favorite titles in the comments section.

Tuesday, March 11, 2014

Duck, You Sucker!

My review (writing as Edward A. Grainger) of James Coburn's Duck, You Sucker! is live at Criminal Element. Drop by, leave a comment, and I'll say thank you. What more could you ask for, right?

Monday, November 4, 2013

Movie Night: His Kind of Woman



His Kind of Woman is a 1951 black-and-white film noir starring Robert Mitchum and Jane Russell. The film features supporting roles by Vincent Price, Raymond Burr, and Charles McGraw. The movie was directed officially by John Farrow and based on the unpublished story Star Sapphie by Gerald Drayson. [Source: Wikipedia]

Wednesday, May 19, 2010

Femme Fatale Help Wanted

I'm throwing something together and I need suggestions. Who is your favorite Femme Fatale in film history and who would make the honorary mention list. Example: My #1 is Ava Gardner in THE KILLERS and rounding out my top five would be Ann Savage, Gene Tierney, Rita Hayworth, and Linda Fiorentino. Feel free to name more then five and the list doesn't need to be limited to the classics.

Wednesday, November 19, 2008

Happy Bday, Gene Tierney

Today is Gene Tierney’s birthday which is reason enough to post a photo of the woman Darryl F. Zanuck said was, "...undeniably the most beautiful actress in movie history."

Tierney contributed to the Noir genre with many great film roles, including Laura (1944), Leave Her to Heaven (1945), Whirlpool (1949), Night and the City (1950) and Where the Sidewalk Ends (1950).

My personal favorite is The Ghost and Mrs. Muir (1947), a romantic fantasy film with Rex Harrison. Advise and Consent (1962) with Henry Fonda and directed by Otto Preminger is a late career highlight. As for her most famous role, actor Vincent Price said, "No one but Gene Tierney could have played 'Laura.' There was no other actress around with her particular combination of beauty, breeding, and mystery."

Tuesday, October 21, 2008

Peter Gunn

I'm a big fan of jazz, detectives and film noir, not to mention femme fatales that can drop a man with a single stare. So then how is it that I’ve never seen Peter Gunn? I remember back in the 80s watching a few minutes of the horrible Peter Strauss version. Maybe that’s what did it in for me and so I never bothered to check out the original Blake Edwards classic. Rap Sheet recently did a post on the 50th anniversary of the show and I decided it was time to catch up.

I just finished watching the first sixteen episodes. Since I am the one who’s two martinis behind on this classic, I’ll keep it short. Craig Stevens as Gunn is perfect. As they say he’s hot on the case and cool under pressure. Lola Albright is the girlfriend who, according to the back of the dvd case, can melt butter at twenty yards, and I agree. My favorite actor on the show is Herschel Bernardi who plays the role of Lt. Jacoby in such an understated performance that he steals each scene. Oh, and the jazz is ultra cool, not just the unforgettable Henry Mancini theme but every noir scene is packed with appropriate gritty jazz.

I’ve posted the first episode, "The Kill." Everything about this first set was topnotch. You probably already knew that, but for those that don’t, check out this episode. It's a shame there are so many commercials but it’s only twenty-five minutes. Give it a try. I think you will be happy you did.


Watch Peter Gunn: The Kill (Part 1 of 7) in Entertainment Videos  |  View More Free Videos Online at Veoh.com

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7