The Comedians (1966)

Graham Greene's The Comedians (1966) opens as the Medea ship makes its way to Port-Au-Prince, Haiti with a rich assortment of passengers aboard, including a former presidential candidate, a military “expert,” and a hotelier named Brown who dubs all of them comedians—his rationale:

Now that I approached the end of life it was only my sense of humour that enabled me sometimes to believe in Him. Life was a comedy, not the tragedy for which I had been prepared, and it seemed to me that we were all, on this boat with a Greek name (why should a Dutch line name it’s boats in Greek?), driven by an authoritative practical joker towards the extreme point of comedy. How often, in the crowd on Shaftesbury Avenue or Broadway, after the theatres closed, have I heard the phrase—“I laughed till the tears came.”

Here's the link to the rest of my article.

The Richard Burton Diaries

When I’m not reading submissions for BEAT to a PULP, I usually can be found around bedtime reading children’s books to my daughter, and, then after she's asleep, biographies for my own pleasure. Normally I prefer bios of authors or historical icons, like John Adams or Albert Einstein or Steve Jobs. Actors generally aren't high on my list, and, though Richard Burton was an actor I respected (for The Spy Who Came In From the Cold and, here’s the pulp kid in me, The Wild Geese and Where Eagles Dare), his bio wouldn’t be one I'd gravitate to.

Just the same, The Richard Burton Diaries ended up on my Kindle Fire. At first, I thought I had made a mistake. As I swiped through the digital pages, I was kinda bored, and even when "E" entered the picture, it didn’t help things. (You know who E is, right? Yeah, Elizabeth and Richard were Brad and Angelina forty-five years before. Still, wasn’t interested ... never understood celebrity and probably won’t in this lifetime.) I almost gave up on the read, but then—this is going to sound weird—I felt like I was starting to relate to this Welsh-born thespian on a personal level. Maybe it was just his thoughts on being exhausted at the end of a long work day and how he just wanted to finish the latest novel on his nightstand. That sentiment is universal, right? With pithy diary entries, I kept reading on. More often than not, the diary is dedicated to what he ate, drank, and read for leisure. Burton was a voracious bookworm and could finish a novel in a day. He lists many, and I jotted down a few he recommended. He comes across as just an average guy, and his humble way of proclaiming the absurdity of the media circus about him kept me going.

Many, many pages are devoted to E. No doubt he loved her deeply. He worries about her tiniest fears and dotes on every aspect of her life. Almost too much but obviously they were river deep, mountain high in love. They divorced in ‘75 and got together again for work on the disastrous Private Lives play. At first everything went well with their public reunion but fairly soon Burton wrote:

"ET as exciting as a flounder temporarily…. This is going to be a long seven months. ET beginning to bore which I would not have thought possible all those years ago. How terrible a thing time is."

By the way, if you like reading about the famous knocking the famous, there are plenty of those moments sprinkled about. Franco Zefferelli and Jean Moreau get hit predominantly hard. As does the director of The Maltese Falcon, “Huston is a simpleton. But believes himself to be a genius. And a self aggrandizing liar. Cunning at it.”  

Still, I find the best entries to be the quiet ones devoted to the women he loved and the children he adored ... the ordinary guy—the guy I get—who just so happened to become one of the most famous actors of the 20^th century.

And somewhere across time—October 5, 1966 to be exact—RB was scrawling, “In case there is any mistake. This diary is written for my own benefit.” Maybe so, sir. But I came to enjoy your ramblings and thoughts on life. I was sad when your life in these pages ended. Salud.