The Education of a Pulp Writer
Monday, December 23, 2013
The Elmore Leonard Paradox
From The Atlantic:
Why so many screen adaptations of the work of America’s most cinematic novelist are so bad—and what makes the exceptions, like TV’s
Justified
, so good
by
Christopher Orr.
No comments:
New comments are not allowed.
‹
›
Home
View web version
No comments:
New comments are not allowed.